Deckard, a blade runner, has to track down and terminate 4 replicants who hijacked a ship in space and have returned to earth seeking their maker." />

Blade Runner (1982) 720p YIFY Movie

Blade Runner (1982)

THIS IS THE "FINAL CUT" version Deckard, a blade runner, has to track down and terminate 4 replicants who hijacked a ship in space and have returned to earth seeking their maker.

IMDB: 8.3176 Likes

  • Genre: Drama | Sci-Fi
  • Quality: 720p
  • Size: 702.41M
  • Resolution: 1280*528 / 23.976fps
  • Language: English
  • Run Time: 117
  • IMDB Rating: 8.3/10 
  • MPR: R
  • Peers/Seeds: 15 / 379

The Synopsis for Blade Runner (1982) 720p

In a cyberpunk vision of the future, man has developed the technology to create replicants, human clones used to serve in the colonies outside Earth but with fixed lifespans. In Los Angeles, 2019, Deckard is a Blade Runner, a cop who specialises in terminating replicants. Originally in retirement, he is forced to re-enter the force when six replicants escape from an offworld colony to Earth.


The Director and Players for Blade Runner (1982) 720p

[Director]Ridley Scott
[Role:Gaff]Edward James Olmos
[Role:Rachael]Sean Young
[Role:Roy Batty]Rutger Hauer
[Role:Rick Deckard]Harrison Ford


The Reviews for Blade Runner (1982) 720p


Seriously 8.3Reviewed byjames-3248Vote: 1/10

What a waste of time. 2 hours however long of my life wasted. I watched the directors cut and boy is it boring. Easily the most boring film i've seen since avatar. I personally love sci-fi films whether it be star wars or alien. My favourite book of all time is enders game. The film moves so slowly that I could feel my hair grow faster. There are literally 5 things that happen in the movie. People read way to far in this movie about how it's supposed to be about how the robots were more humans than the people, personally I believe that's a load of poppycock. When the original was released nobody went to see it, the original was cut and given a commentary for a reason, the film was too long, boring and doesn't make much sense. The commentary helped this film so much, it gave it a story and stops the watcher from having to make up some random story to stop themselves dosing off.

Inspired by the cliffs-notes of a great novel, Blade Runner is, unfortunately, not widely recognized as a fecal insult to literatureReviewed byMonkeyPunditVote: 1/10

Blade Runner is perhaps the worst film adaption of a novel ever made. To say that Blade Runner is an adaption of Phillip K Dick's inspiring novel "Do Androids Dream of Electric Sheep" is not only a lie, but it is an insult to both Phillip K. Dick and any movie that has been adapted to film with even a marginal degree of success. It is most generous and honest to say that Blade Runner is inspired by "Do Androids Dream of Electric Sheep?".

Blade Runner presents, at best, a surface-level representation of a select few of the novel's characters; these representations are devoid of the depth that made them captivating. Likewise, there are many great (and well-developed) characters who were excluded from the film.

The subplots, entire segments of the plot, the greater part of its ethos, and major aspects of the novel's theme are also expunged from this film. In short, the elements of the novel that have moral, narrative, effusive, or dramatic merit are conspicuously absent from this film.

Instead of being a narrative that re-affirms greater truths about humanity, Blade Runner exists only as a testament to sloppy adaptation by screenwriters who have such little respect for literature that they would cinematically re-hash a novel's spark notes.

I believe that, were the novel by which Blade Runner is inspired more widely read, society would recognize Blade Runner as the fecal insult to great literature that it is.

The Last Great NoirReviewed byCaptain SpandexVote: 7/10

This is a film that is so deep, rich, and multi-layered, it may require more than one viewing to fully absorb the brilliance of what you've just seen. At first glance, it can be a bit slow. It's told in a classic film noir fashion, so this is to be expected. Director Ridley Scott seems to want to savor every shot, and an astute audience will be able to sense this.

Now, I say the film is told in a classic Noir style, but this can be misleading. There is no Humphrey Bogart in Blade Runner, snapping off brilliant one-liners once a second. Only hopeless people, in many ways victims of the merciless world of which they are all a part. Deckard is a typically downbeat protagonist, a hard-boiled cynical leading man with a weakness for heavy drinking. The plot is a mystery in name only, as the audience is allowed to know what Roy Batty, Pris and Leon are all up to before Deckard ever finds out. This only lends to the dread and inevitability of the film, lending further to its pervasive gloom. There is no final scene at the end where the bold detective puts all the pieces together and says "Ah-Ha!". Instead, we find Rick Deckard questioning his own existence and drinking away his constant doubts, all the while embroiled in a romantic relationship with someone he's sworn to kill.

Blade Runner requires audience participation, particularly in the Director's Cut, which is entirely devoid of some rather necessary exposition provided by the Original Cut's much-maligned voice-over. Certain facts will not be clear even at the end of the film, requiring personal interpretation in order to be appreciated fully. Other facts will be given away in much more subtle ways than in most modern cinema, such as through visual cues and tenuous dialogue.

Finally, visually, this movie is quite simply a science fiction triumph. It looks better than modern computer effects in every way that counts. Superimposed special effect objects don't give off that unnatural, clearly computer-generated "Lord of the Rings" sheen common in today's effects-driven blockbusters. This, of course, is because Blade Runner - while a gorgeous movie - is not effects driven in the least. Rather, it is a visually driven story that doesn't rely on special effects. This is an important distinction to make in today's Hollywood.

"Touch of Evil" really wasn't the last of the Great Film Noirs!

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