In a Lonely Place (1950) 1080p YIFY Movie

In a Lonely Place (1950) 1080p

In a Lonely Place is a movie starring Humphrey Bogart, Gloria Grahame, and Frank Lovejoy. A potentially violent screenwriter is a murder suspect until his lovely neighbor clears him. But she begins to have doubts.

IMDB: 8.02 Likes

  • Genre: Drama | Film-Noir
  • Quality: 1080p
  • Size: 1.80G
  • Resolution: / fps
  • Language: English
  • Run Time: 94
  • IMDB Rating: 8.0/10 
  • MPR: Normal
  • Peers/Seeds: 1 / 6

The Synopsis for In a Lonely Place (1950) 1080p

Screenwriter Dixon Steele, faced with the odious task of scripting a trashy bestseller, has hat-check girl Mildred Atkinson tell him the story in her own words. Later that night, Mildred is murdered and Steele is a prime suspect; his record of belligerence when angry and his macabre sense of humor tell against him. Fortunately, lovely neighbor Laurel Gray gives him an alibi. Laurel proves to be just what Steele needed, and their friendship ripens into love. Will suspicion, doubt, and Steele's inner demons come between them?


The Director and Players for In a Lonely Place (1950) 1080p

[Director]Nicholas Ray
[Role:]Humphrey Bogart
[Role:]Carl Benton Reid
[Role:]Frank Lovejoy
[Role:]Gloria Grahame


The Reviews for In a Lonely Place (1950) 1080p


Bogey's best?Reviewed bythehumanduvetVote: 8/10

A scorching performance from Bogey makes this film a real classic, his Dixon Steele one of the great screen characters. In this more biting version of the plot of Hitchcock's suspense/comedy Suspicion, Bogart is a kind and loving screenwriter with a violent streak of temper waiting to break out and a taste for a drink or two, wooing Gloria Grahame's pretty young actress next door. The death of a young girlfriend of his hangs over him throughout the movie, as Graham at first believes him to be innocent, then later, having fallen for his charms, begins to suspect he may have had something to do with the girl's death after all, as his temper becomes more and more uncontrolled and frightening. The police circle around, making his nervous anger worse; the relationship begins to crumble into a mess of fear, lies and misunderstanding. Through all this Dixon Steele emerges as a great and brilliant creation, a highlight even in a career as illustrious as that of Bogart, a charming and witty man when happy, a black and vengeful man when roused to anger, a man of contradictions that only seems the more real, heroic, and ultimately tragic. Bogart's performance is brilliant, but the setting works well too, Grahame is great as the sassy girl he falls for, then frightens, the story chugs along at a fair lick, but allowing plenty of time for the many fun minor characters to develop well, and the script is a corker - wonderful stuff.

Essential BogieReviewed byskymoviesVote: 8/10

Bogart is at his uncompromisingly dark best as the Hollywood writer whose temper leads to accusations of murder and conflicted relationships. By turns charming, cold, romantic and remorseful, Dix Steele is as unpredictable a character as Bogie has ever played.

He shows no emotion on learning that Mildred - the innocent he has just met - has been killed, and those who know him accept his violent nature as simply part of the Steele package. But thanks to the skill of Bogie and director Ray, the audience never entirely loses sympathy for him. The moments of tenderness he shows to his alibi-turned-lover Laurel (an ethereal Gloria Grahame; imagine Hope Davis glammed-up for the 50s) alternate with fits of anger to turn their relationship into that of a tragic poem.

In A Lonely Place is film noir that focuses on romance rather than crime. The reasons for Mildred's murder are never satisfactorily made clear, but it doesn't really matter. The movie asks whether love and trust are earned by what a person says or what they do. And in the end, actions speak louder than words.

One of Bogart's most complex rolesReviewed byAlsExGalVote: 8/10

This was a very interesting role for Humphrey Bogart, and was a bit of a production code buster on several levels.

Bogart plays Hollywood screenwriter Dixon Steele, who is in somewhat of a writing rut. He also has a quick temper and a paranoia complex. He picks fights with people over the most routine matters and these fights commonly come to blows. He is indeed "in a lonely place" of his own making. Steele has a chance to write a screenplay based on a book, but the author wants him to read the book and give him his opinion in just a matter of a few days. At the restaurant where Steele has talked with the author, the hat check girl says she has just read the book and loves it. Steele invites her to come over to his apartment and tell him about the book to save him the trouble of reading it. This is all very innocent in what Steele intends and in what actually happens. In fact, Steele's reaction, unseen and unheard by the hat check girl, to her semi-literate oral book report is wickedly funny. This shows us Steele's charming and funny side. After the girl tells her story, she leaves. Neighbor Laurel Grey (Gloria Grahame) sees her leave. However, the next day, the girl's strangled body is found next to a road. The police quickly find their way back to Steele's place where, due to his violent past and nonchalant reaction to the murder, he is under immediate suspicion. He finds an alibi in his neighbor Laurel, and this is how they formally meet.

Almost immediately the two begin a relationship that gets serious fast. Laurel finds Steele attentive and interesting. Thus at first Laurel thinks Steele is innocent of the murder, but one by one her doubts grow. Steele explodes over little things, even eventually punching out his own agent over nothing. In fact, Steele's agent is his only real friend and actually is a bit of an enabler for his bad behavior. You always see Steele show his idea of remorse for his actions, even anonymously sending money to a guy he has beaten up over a traffic accident. However, the question that is left to be answered is - exactly what is going on with this guy? Could he have stalked and killed the girl over his anger at something else or someone else entirely? And if he didn't kill the hat check girl, will he eventually kill someone else? Laurel is asking these same questions as she begins to wonder - is it more dangerous to try and run away from Steele, or is it more dangerous to stay? One should never consider saying "yes" to a marriage proposal if it comes down to what is less dangerous.

Laurel is not exactly a finished book herself. Apparently she had a serious relationship with a well-off man just prior to this, and ended it for really no tangible reason. Then there is a kind of gay subtext going on between herself and her masseuse, Martha. They only have one scene together but it certainly throws out more questions than answers, just like the rest of this film.

If you like noir, if you like Bogart, if you like being challenged, watch this film.

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