The Devil Wears Prada (2006) 720p YIFY Movie

The Devil Wears Prada (2006)

A naive young woman comes to New York and scores a job as the assistant to one of the city's biggest magazine editors, the ruthless and cynical Miranda Priestly.

IMDB: 6.7120 Likes

  • Genre: Comedy | Drama
  • Quality: 720p
  • Size: 701.15M
  • Resolution: 1280*544 / 23.976fps
  • Language: English
  • Run Time: 109
  • IMDB Rating: 6.7/10 
  • MPR: PG-13
  • Peers/Seeds: 22 / 317

The Synopsis for The Devil Wears Prada (2006) 720p

In New York, the simple and naive just-graduated in journalism Andrea Sachs is hired to work as the second assistant of the powerful and sophisticated Miranda Priestly, the ruthless and merciless executive of the Runway fashion magazine. Andrea dreams to become a journalist and faces the opportunity as a temporary professional challenge. The first assistant Emily advises Andrea about the behavior and preferences of their cruel boss, and the stylist Nigel helps Andrea to dress more adequately for the environment. Andrea changes her attitude and behavior, affecting her private life and the relationship with her boyfriend Nate, her family and friends. In the end, Andrea learns that life is made of choices.


The Director and Players for The Devil Wears Prada (2006) 720p

[Director]David Frankel
[Role:Nate]Adrian Grenier
[Role:Miranda Priestly]Meryl Streep
[Role:Emily]Emily Blunt
[Role:Andy Sachs]Anne Hathaway


The Reviews for The Devil Wears Prada (2006) 720p


The best comedy of the year!Reviewed byOscar_AddictVote: 9/10

"The Devil Wears Prada" is easily the best comedy of the year.

Meryl Streep is brilliant. Without a doubt, she delivers the first Oscar-worthy performance of the year. Streep remains calm and cold throughout the entire film. She also manages to humanize Miranda. Her subtle brilliance is captivating, and one cant help but feel honored to watch her work!

Anne Hathaway delivers a charming performance that is incredibly likable. Despite being the main character, she is completely upstaged by Streep and Tucci.

Stanely Tucci is the definition of a scene stealer in "Prada". He comes off as a catty, yet sweet, "fairy godmother" figure. If the Academy decides to give comedies some love, expect Tucci and Streep to make the cut.

Emily Blunt also adds some laughs to "Prada".

This is the best comedy I've seen in a long time. By far, it is the best I've seen this year.

"The Devil Wears Prada" is everything that Miranda is: Smart, stylish, and catty!

Life Is Made of ChoicesReviewed byclaudio_carvalhoVote: 9/10

In New York, the simple and naive just-graduated in journalism Andrea Sachs (Anne Hathaway) is hired to work as the second assistant of the powerful and sophisticated Miranda Priestly (Meryl Streep), the ruthless and merciless executive of the Runway fashion magazine. Andrea dreams to become a journalist and faces the opportunity as a temporary professional challenge. The first assistant Emily (Emily Blunt) advises Andrea about the behavior and preferences of their cruel boss, and the stylist Nigel (Stanley Tucci) helps Andrea to dress more adequately for the environment. Andrea changes her attitude and behavior, affecting her private life and the relationship with her boyfriend Nate (Adrien Grenier), her family and friends. In the end, Andrea learns that life is made of choices.

"The Devil Wears Prada" is a sort of dramatic comedy, with magnificent performances and a great final message. Meryl Streep is fabulous as usual in the role of a cruel bitch; Anne Hathaway is excellent and very beautiful performing the naive and sweet Andrea, a girl who sells her soul to the devil, but returns to her origins and principle; and Emily Blunt is also great, in the role of the caustic and jealous colleague of Andrea. The elegant and sophisticated locations in Paris and New York are nice, and the music score presents many hits. The story is never corny and I really liked this movie. My vote is nine.

Title (Brazil): "O Diabo Veste Prada" ("The Devil Wears Prada")

Move Over Henry VIII, Louis XIV, and Napoleon: Mirander Priestly is Here -- Realistic Exposé of the Feudal-like Realm of the Madison Ave Fashion SceneReviewed byclassicalsteveVote: 8/10

We in the United States like to believe that we reside in a country without royalty and nobility. The only people who think that there is true egalitarianism have never worked in the Entertainment and Media Industries. There is an aristocratic elite, no question, and it is not exactly made up of politicians (although there are some). It is largely composed of those who control media, particularly in television, film, radio, music, fashion, and print. They control what get's seen and what doesn't. When these people put on huge events that involve the press, cameras, and limousines, the public comes out to pay unquestioned homage to these elites, often on the sideline behind a barricade. With cameras flashing, these people are treated like the royalty of the 17th and 18th centuries. "The Devil Wears Prada" examines what is like to be in the inner circle of one of these elites.

In addition to the public's clamoring to glimpse these powerful elites, another segment of the population desires to become one of these people by trying to "break into" the media business. Since there are many more people who dream of being in these circles than there are spots available, this gives enormous power to those already on the inside, particularly those who have sway to either make or break an up-and-coming career. "The Devil Wears Prada" chronicles an aspiring journalist who lands a dream job that, she is told, "thousands would kill for": being the personal assistant to the editor of one of the largest fashion magazines, Runway, whose editor-in-chief makes Bill Gates seem like a softy. The character, Miranda Priestly (played by Meryl Streep in a tour-de-force Oscar-nominated performance) is in fact modeled after real-life Vogue Magazine editor Anna Wintour whose chilling detachment from those around her, her ability to make or break fashion careers, and her cut-throat demands on her staff have become legendary throughout the fashion world.

In the film, the corporation that is "Runway" is no democracy. It is feudalism, with Mirander the absolute queen ruling over her dominion of serfs who constantly scatter about trying to please her. The central character, Andy Sachs, is plunged into this Madison Avenue purgatory without knowing the rules of the game. A journalism-major from Northwestern, Andy knows next to nothing about the fashion world, but it's not just the fashion world--it's the world of the elite in New York. Since everyone wants to gain favor from the higher-ups in order to step up the ladder, there's often over-the-top deference to those in elite positions. I half-expected her female assistants to curtsy when Mirander entered the office. Mirander knows perfectly-well her status and she uses it, often flaunts it, to her advantage. Her staff run around like castle servants anticipating the arrival of the Lady of the Manor.

Streep is magnificent as her voice never reaches past mezzo-piano. When one of her staff has transgressed, or simply cannot fulfill her expectation (I doubt Superman could hold a job there), in the softest tone possible she expresses her disappointment. And yet, the anticipation of her negative reaction is what makes for moments of anti-gravitational intensity. Of course, she never compliments anyone when they've done well. Excellent performance is taken for granted in this kingdom. I've never found the raging tyrant frightening. Rather, it is the even-tempered soft-spoken empress with absolute power who sends anyone who to displeases her to the block with a disinterested wave of the figure that is the most terrifying.

At one point in the film, Andy chuckles when Miranda fusses over some seemingly identical-looking belts which of course spawns a lecture about how Andy's current wardrobe was in fact created by the fashion elite. This does point to another side of the fashion facade which I think may be the point of the film. If you take away the cameras, the celebrities, the allure, the models posing in museums wearing the latest by Christian Dior, at the end of the day all this is about is just jackets, belts, purses, skirts, dresses, and pants. I think one of the characters says as much. These clothes may look wonderful, even stunning, but that's all they are. They are lifeless pieces of fabric cut in a certain way to make the wearer look appealing but that's all it is. The fashion industry of course needs to perpetuate the idea that clothing is much more than clothing: that beautiful fashions will create fairy-tale existences for the purchasers. They are meant to represent a life of luxury and splendor and the purchase of these articles will bring you closer to that reality. When it doesn't, you need to buy more of these clothes. And you need to read Runway (aka Vogue) to tell you what you should buy. Of course, the only ones who actually have these fairy tale existences are the ones providing the clothes. Most of the people buying these fashions are still behind the barricade. Is there an irony here?

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