Unbreakable (2000) 1080p YIFY Movie

Unbreakable (2000) 1080p

A suspense thriller with supernatural overtones that revolves around a man who learns something extraordinary about himself after a devastating accident.

IMDB: 7.227 Likes

  • Genre: Drama | Mystery
  • Quality: 1080p
  • Size: 1.45G
  • Resolution: 1920*816 / 23.976fps
  • Language: English
  • Run Time: 106
  • IMDB Rating: 7.2/10 
  • MPR: PG-13
  • Peers/Seeds: 88 / 883

The Synopsis for Unbreakable (2000) 1080p

This suspense thriller unfolds as the audience is introduced to David Dunn. Not only is he the sole survivor of a horrific train-crash that killed 131 people he doesn't have a scratch on him. Elijah Price is an obscure character who approaches Dunn with a seemingly far fetched theory behind it all.


The Director and Players for Unbreakable (2000) 1080p

[Director]M. Night Shyamalan
[Role:Audrey Dunn]Robin Wright
[Role:Elijah Price]Samuel L. Jackson
[Role:David Dunn]Bruce Willis
[Role:Joseph Dunn]Spencer Treat Clark


The Reviews for Unbreakable (2000) 1080p


Unbreakable is one of the finest movies in years.Reviewed byneovsmatrixVote: 10/10

I guess I can't be too surprised with all the negative responses that Unbreakable is getting. These days, the masses don't appreciate a buildup of atmosphere, strong character interaction, and stories heavily centered on characters and their psychology. Unbreakable has all of these traits, and proves to be a superior movie to the Sixth Sense in my opinion. Too bad it's so underrated. I've seen this movie several times, and I have never even gotten tired of it. It does deal with comic books, but approaches it with a level of sophistication and intellect never found before in comic book movies. The movie walks a very fine line between reality and the comic-book world, at the same time walking a very fine line in terms of audience perception. Some chalk it up to be a silly comic-book movie, others a brilliant comic-book movie. And yet, there are still others that maintain Unbreakable's comic book theme does not exactly make it a comic-book movie. It's more of a drama, just like the Sixth Sense was more of a drama than a horror movie. Both are excellent dramas, but Unbreakable was superior in every aspect. I especially admired the camera movement, and the framing of certain scenes to bring to life an actual comic-book. I also admired how Unbreakable was very light on dialogue, making full use of subtle gestures, movements, and actions to represent the character's thoughts. The character's environment plays a similar role and certain colors are often brought up to represent distinct emotions and thoughts the character has. In the end, there are a number of things in this movie that can cause people to quickly denounce the movie, but these are all dependent upon perspective, as there's nothing truly wrong with the movie. In fact, if viewed objectively and with an open mind, the viewer might be much more apppreciative of Unbreakable. It's clear that many of the posters to this comments area were truly angered by the movie and did not think their thoughts through prior to writing their comments, which is a shame as Unbreakable truly deserves better. If M. Night Shyamalan's next movie is at least half as good as Unbreakable, I'll definitely be in line to buy a ticket.

Personal SignificanceReviewed bybilcal7-1Vote: 9/10

It seems this movie has taken a bit of heat, known by many as Shyamalan's "worst" film. It is often written off as slow moving, and the twist at the end as unoriginal and boring. I've heard people say the acting and camera work was awkward and stale and that the casting was poor. Ironically enough, as more people begin to dislike this movie, the more I seem to fall in love with it. This film has a lot of personal bearing with me, both as a student of psychology and a lover of movies and just plain art. I feel like I've taken this film under my wing during its times of criticism, and now I'd like to try and show everyone what exactly I love about it so much. Shyamalan really showed a stroke of brilliance by getting Serra to be his cinematographer and to play around with the aestetics of the film. I don't know how or where Shyamalan is getting these guys for his movies, but I definitely love the style of each frame he shells out. Serra had been involved with predominately foreign films before Unbreakable. This was his first big American film, and I think you gotta give a little credit to Shyamalan for that. His unique and creative touch really added to the direction. In keeping with the "comic book" theme of the movie, you will notice that almost every shot is taken as if you are looking through or in between something. Like the squares of a comic strip. There is also a dark, slightly blue colored filter used throughout most of the film. This gives the movie a very bold, but eerie tone. Showing that the world can be a rough and scary place, but it can also be fought and overcome. It is evident that time and effort went into every shot. It may not slap many viewers in the face as brilliant, but it really strikes a chord with me. As for the score, I am more than willing to argue that this is, hands down, James Newton Howard's best score of his very successful career. It is compelling and booming. It's very powerful, but not over-the-top and excessive. For anyone with the soundtrack, check out 'The Orange Man' and 'Visions'. These are two of the most powerful pieces of any film score around. And I stress the word "powerful". Yeah, he's no Hermann or Morricone, but the emotional weight and emotive power of his chords and his overall composition are just downright chilling. The writing and the direction are just as captivating as the score. Almost every line of dialogue and every scene seems to be placed out on an island, alone so that everyone can stop and judge it. Some people might view this as cocky and/or boring direction, but I see it as daring and unique. Much of Shyamalan's writing is done that way. ('…I see dead people…' '...They call me Mr. Glass…' etc. etc.) Another aspect of the film that tickles my fancy is the underlying themes. I do believe, to a certain extent, that people do have somewhat supernatural powers at times. People have been known to make miracles and do unbelievable things. Maybe these things could be 'developed' in some way. These theories are, in a way, intertwined with some aspects of psychology, such as selective attention and self-actualization. If you care to discuss some of these ideas, let me know and I will relate them to the film through my eyes. In short, I do believe there is a superhero in everyone. It may not be through supernatural powers, but it may simply be through the act of reaching out to a person in need. Other themes of the movie, like how completely different people can always be connected in some way and how everyone has their vulnerabilities and weaknesses are intriguing, yet universal. From a psychological point of view, Shyamalan really gets inside the head of OI patients (osteogenesis imperfecta). He then brings this psyche to the next level with Jackson's character. Elijah, is very passionate but very tortured and evil. His interactions with Willis bring depth and focus to both the characters and the story. Certain scenes in the movie are really quite striking and powerful. The shots of Willis in his security poncho. The train station scene. Elijah's breathtaking fall on the stairs and many more speak so loudly to me and say so much in just a simple clip. For some reason this movie just speaks to me, like art. If anyone cares to discuss more about this film, that'd be cool. There is a lotta other cool stuff to talk about with this movie. Just thinking about it makes me want to watch it a few more times. It may not be the feel good film of the year, or the masterpiece that everyone was looking for, but it definitely sits well with me.

Rich yet subtleReviewed bylaconianVote: 8/10

My kudos to M. Night Shyamalan for proving the consistency of his moviemaking abilities. "Unbreakable" is a movie that is rich in both technical brilliance as well as script quality. First, let me get my one objection for the movie off my chest. The ending could have been done better. The majority of the length of "Unbreakable" does an excellent job of building suspense, with the wonderfully muted, melancholy acting adding depth and tension to the plot. My problem is that it fails to live up to its own expectations; the ending does not consummate entirely what I expected it to. Somehow, in a movie that took painstaking details to illustrate every step and glance, concluding it in the manner that it did felt almost blasphemous. Maybe in a nameless action thriller it could be passed off as mere hackery. But here, it seems strangely out of place, kind of an enigma in itself... Now that the ugly part is over with, I feel almost obligated to sing the praises of "Unbreakable". Shyamalan's prowess with photographic techniques and processes shows through in this, with rich reds and blacks given to scenes of moist emotion and colder colors dedicated to the bleak, uncaring (uncared for?) world. One technique I particularly liked was the manipulation of photographic mediums, some parts using crisp 35mm films and others using angry, shuttered magnetic (or 16mm?) film. In the end, it all worked very well, because each technique seemed to integrate seamlessly with the plot and mood (notice the confusion and panic at the very end?) "Traffic" is a good example of processing overdose. "Unbreakable", on the other hand, hones it perfectly. The lushness of this movie comes in close second to the wonderful eye candy of "American Beauty". I could watch it again easily... with the sound turned off! On the more human side of the spectrum, the acting was wonderful. How nice it is to see Bruce Willis proving himself to be a true A-class actor! His unassuming and insecure behavior worked *perfectly* for this role. Samuel L. Jackson, like always, did a bang-up job with what the script gave him. Robin Wright and Spencer Clark's characters seemed a bit two dimensional, but they seemed to be minor roles compared to the prominence of Willis and Jackson's characters. A little character development would have been appreciated, but if the ending was a result of the time-constraint guillotine, then I would expect the developmental scenes to have gone too. The thing that people seem to complain most about this movie is the plot. I like the premise. A little fantasy in our movies isn't such a bad thing once in a while, is it?

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